Writer: Lukasz Wnuczek
Illustrator: Lukasz Wnuczek
Quick Overview: The Owl Tribe is a comic that revolves around a hunt for a beast straight out of the Native American (and Norse!) legends. It is set in the time of Viking exploration of pre-Columbian America and features fantastic characters borrowed from the lore of Native American tribes while also drawing from Norse tales.
This 56-page comic is so rich and dense with world building and characterization that it feels like a sweeping epic graphic novel with a thick page count. What Lukasz Wnuczek (writer & illustrator) has done with this book is really something unique that lacks from other comics that commit to this particular length. Every panel matters and every panel sets up a pay off for our characters down the line.
The book follows several characters that are on both sides of the conflict and treats them both accordingly. It’s tough to say who is the bad guy or good guy throughout the comic. Our characters commit some pretty brutal acts, but we are shown their backstories so we can see their motivations and more often than not, give them our sympathy. This works the best in this comic when we see the motivations AFTER we think a character might be our villain.
It repeatedly makes the reader ask: Does this character’s emotional history justify their violent actions?
It’s engaging to the reader. Not only do you have an interesting conflict on the page to read, but you also have an internal conflict going on inside the reader. It’s difficult to accomplish and this Lukasz pulls it off seamlessly.
The best example of this is on the final page. It’s such a great gut punch that I will not spoil.
There’s an earthy texture in the art that is very appropriate for this book. It feels organic and genuine. Lukasz puts this on display the strongest with his backgrounds and landscape panels. It’s an immersive feel that puts you right in the forest.
From my first glance at this book, the most eye-catching detail was in the character designs. The book’s cover features one of the more supernatural characters of the comic. This character is wearing a leather stitched mask with tribal-like paint across it. He stands with his staff and stares off into the mist. This is an eye-catching cover that makes you want to pick up the comic just to see who this guy is and what this book is about.
This is a really unique book that shares an overlooked part of history. The comic doesn’t take sides in this conflict and instead allows the story unfold naturally by giving the right amount of information to the reader without spelling the whole saga.
The combination of earthy art and empathetic characters get this book a 5 out of 5.
Thank you for checking out this ComixCentral Review by Contributing Author Anthony Cleveland